At 5120×2048 resolution, 99.9% DCI-P3 colour coverage and 1,600 nits of brightness, the volume is precise enough that reflective surfaces pick up the virtual environment naturally — no green-screen compositing, no guessing what the reflection should look like in post.
We build and tune every environment with the production team before the shoot, then adjust time of day, lighting and colour grade live, on set, as the day evolves. For plate-based work like automotive content, we can switch to projecting pre-recorded 360° footage across the same wall.
Built for
- Automotive & product films
- Commercials & music videos
- Narrative & broadcast
- Product launches with branded sets